The Big Six Core Chords - Level Two

The Big Six Core Chords - Level Two

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The Big Six Core Chords - Level II
The next series of chords that build on the Bix Six Core Chords and form the foundation for ALL your jazz chords include: Major Sixth ( 6 ), Minor Sixth ( m6 ) and Minor-Major Seventh ( mL7 ).
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The Big Six Core Chords - F6, Four Voicings
Level II of The Big Six Core Chords F6, four voicings. This is the level II of the core chords.
The F6 is a 1 3 5 6 of the major scale, based on the root of the chord.
A major 6th chord can be derived either from a seventh or major seventh chord. From a seventh chord lower the flat seventh one fret. From a major seventh chord lower the natural seventh two frets.
Includes a transposition chart for transposing to any key.
F6, a major sixth chord is part of the second level of chords chords that include the major sixth, minor sixth and minor-major seventh chords.
When pronouncing a sixth or major sixth chord the major is implied as in this F6.
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The Big Six Core Chords - Fm6, Four Vocings
The Big Six Core Chords - Level II: "Fm6" is created from the "1 b3 5 6" of the major scale, based on the root of the chord. For "Fm6" the chord tones are: F Ab C D.
A Fm6, a minor six chord and part of the second level of chords that include the major sixth, minor sixth, and minor-major-seventh chords.
A minor 6th chord can be derived either from a minor seventh or major sixth chord. From a minor seventh chord lower the flat seventh one fret. From a major sixth chord lower the natural third one fret.
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The Big Six Core Chords - FmL7, Four Voicings
The Big Six Core Chords - Level II: "FmL7" is created from the "1 b3 5 7" of the major scale, based on the root of the chord. For "FmL7" the chord tones are: F Ab C E. The L is a contemporary chord designation and refers to a large seventh, a major seventh.
A FmL7, a minor major-seventh is part of the second level of chords that include the major sixth, minor sixth, and minor-major-seventh chords.
You can create a mL7 chord from a minor seventh chord by raising the flat seventh of a m7 chord one fret.