Published:
2023-12-18
Updated:
2023-12-18
Learning Ukulele with Curt
Can't Buy Me Love
Harmonic Analysis (RMA) Worksheet for the song: "Can't Buy Me Love".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-48
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-12-18
Harmonic Analysis (RMA) Worksheet for the song: "Can't Buy Me Love".
Can't Buy Me Love
Released: 16 March 1964 (US), 20 March 1964 (UK)
Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden. In the UK, it was the fourth highest selling single of the 1960s.
While in Paris, the Beatles stayed at the five-star George V hotel and had an upright piano moved into one of their suites so that songwriting could continue. It was here that McCartney wrote "Can't Buy Me Love". The song was written under the pressure of the success achieved by "I Want to Hold Your Hand", which had just reached number one in America. When producer George Martin first heard "Can't Buy Me Love", he felt that the song needed changing: "I thought that we really needed a tag for the song's ending, and a tag for the beginning; a kind of intro. So I took the first two lines of the chorus and changed the ending, and said 'Let's just have these lines, and by altering the second phrase we can get back into the verse pretty quickly.'" And they said: "That's not a bad idea, we'll do it that way". The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material. wikiwand
Can't Buy Me Love is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
C Mix
The IV7 is NOT a Secondary Dominant as it does not resolve to its I , which would be F and the G . In this case it just a Blues IV .
Mix
1.
2., 3.
C Mix
C Mix
D.S. al Coda
(Take 2nd ending)
C Mix
Coda
C Mix
NOTE: — The C7 in the above Harmonic Analysis is NOT a Secondary Dominant. It's simply aBluesy IV chord when the seventh is added.
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
Intro
No Intro for Can't Buy Me Love, just the pickup notes. So for a Ukulele jam count it in, 1 2 3 4 1 2 , coming in on the second 2 .
There are some N.C. , No Chord parts that are not indicated on the leadsheet that are cool to add to the arrangement. These are marked on RMA Worksheet above.
Links & Resources
- wikiwand Can't Buy Me Love
- The Beatles Bible: Can't Buy Me Love
- Can't Buy Me Love •