Published:
2025-07-13
Updated:
2025-07-13
Learning Ukulele with Curt
Hound Dog
Harmonic Analysis (RMA) Worksheet for the song: Hound Dog.
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-111
Main Category: Harmonic-Analysis Main Instrument: Ukulele
Subjects: Chords
2025-07-13
Harmonic Analysis (RMA) Worksheet for the song: Hound Dog.
Hound Dog
Released: August 13, 1952
Hound Dog is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Big Mama Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", ranked at 318 in the 2021 iteration of Rolling Stone's 500 Greatest Songs of All Time and was inducted into the Grammy Hall of Fame in February 2013. wikiwand
Hound Dog
has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which ranked number 19 on Rolling Stone's list of the 500 Greatest Songs of All Time in 2004, but was excluded from the revised list in 2021 in favor of Thornton's version; it is also one of the best-selling singles of all time. Presley's version, which sold about 10 million copies globally, was his best-selling song and "an emblem of the rock 'n' roll revolution". It was simultaneously number one on the US pop, country, and R&B charts in 1956, and it topped the pop chart for 11 weeks—a record that stood for 36 years. Presley's 1956 RCA recording was inducted into the Grammy Hall of Fame in 1988, and it is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll".
Hound Dog is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
A re-harmonization, in Red can be a simple, sticking pretty close to the original composer's intentions or complex and a whole new set of chord changes.
A basic twelve-bar blues and is one of the first chord progression you can start to hear by ear.
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire".
G: G Ionian, G Pentatonic
G Major Pentatonic: G A B D E G'
Although in the Key of G Major and the G Major scale is I and the V comes from. The G Major Pentatonic scale is a better scale selection for the I chord than the G Major scale. For the the rest of the chords the G Blues scale (G Bb C D E F G') is a great choice.
G Blues (G Bb C D F G') or
C Mixolydian (C D E F G A Bb C')
You might be inclned to call the C7 C Dominant Seven
. In this harmonic substitution it is not functioning as a dominant chord as it is not resolving to an F or Fm. It is simply a C7.
G Blues
(G Bb C D F G') or
D Mixolydian
(D E F# G A B C D')
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Reference Key
This is the key of the source leadsheet.
- Hound Dog is in 4/4, Cut Time and the Key of G . The original by Big Mama Thornton is in the Key of A , Tempo: 133 bpm. The most famous version is from Elvis Presely the Key of C , Tempo: 87 bpm.
Harmonic Principles Used:
These are the harmonic principles used in Hound Dog.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
The Blues Scale
A G Blues scale (G Bb C D F G') can be used over the
I
IV
and
V
of a Blues progression. If using the G blues scale I'll address the B
note in the G chord (G B D) when I want to add a touch of melody the blues and add it tot he blues scale for (G B Bb C D F G'). Can;t go wrong address the chord tones.
The IV7 Chord
In the Elvis recording (Key of C) wikiwand Scotty Moore (guitar) address the IV7 , F7 chord with a little fill plying nothing but the chord tones of (C A C Eb). Here is what we can do on the ukulele in C Tuning.
Strum
Solos
The solos are basically the blues scale in the key of G with chromatic and diatonic passing tones (notes outside or from the parent full diatonic scale).