"Act Naturally" is a song written by Johnny Russell, with a writing credit given to Voni Morrison and publishing rights transferred to Buck Owens. It was originally recorded by Buck Owens and the Buckaroos, whose version reached number one on the Billboard Country Singles chart in 1963, his first chart-topper. In 2002, Shelly Fabian of About.com ranked the song number 169 on her list of the Top 500 Country Music Songs.

Russell, originally from Mississippi, was based in Fresno, California, in the early 1960s. One night, some of his friends from Oklahoma planned to do a recording session in Los Angeles and asked him to join them. In order to do so, Russell had to break a date with his then-girlfriend. "When she asked me why I was going to L.A., I answered 'They are going to put me in the movies and make a big star out of me.' We both laughed."

The song tells the tale of someone who has been jilted and, because of that, can play a film part of someone sad and lonely without knowing anything about acting. It has been recorded by many other artists, including Loretta Lynn, Dwight Yoakam, Kidsongs (Debbie Lytton), and Mrs. Miller. The best-known other version is by the Beatles in 1965. Featuring Ringo Starr taking the lead vocal, it became a featured performance number of his in concert, both with the Beatles and later with His All-Starr Band. Owens and Starr went on to record a duet version in 1989. The song was also covered by Betty Willis in 1978, and by Riders in the Sky in 2000 for the album Woody's Roundup: A Rootin' Tootin' Collection of Woody's Favorite Songs. Act Naturally wikiwand

Act Naturally is in the The Daily Ukulele — 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

The Daily Ukulele — 365 Songs for Better Living • INDEX of Songs

Ukulele Chords

D G A7 E7

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

Starting Melody Note and 1st Interval

Act Naturally is in 4/4, Cut Time and the Key of D . The original is in the Key of G , Tempo: 93 (186) bpm
Start on P5 ↓ m3.

C Tuning, Low or High G

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

A re-harmonization, in Red can be a simple, sticking pretty close to the original composer's intentions or complex and a whole new set of chord changes.

D: D Ionian

II7
(V of V)

E Mix

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

Act Naturally is in 4/4, Cut Time and the Key of D . The original is in the Key of G , Tempo: 93 (186) bpm

Harmonic Principles Used:

These are the harmonic principles used in Act Naturally.

Full Diatonic
Partial Diatonic • Full Diatonic includes Secondary Dominant chords

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

Performance Notes

Intro

The Intro transposed to the Key of D . You'll need a Low G (C Tuning) to capture the essence of the original, either the Buck Owens or Beatles original.

C Tuning, Low G, with a Sample Toor and Fifth Bass line

Links & Resources

wikiwand Act Naturally
The Beatles Bible: Act Naturally
Buck Owens & His Buckaroos - Act Naturally [Live] – 1966 •
The Beatles-Act Naturally(Live en Blackpool) •
The Beatles Act Naturally (Remastered 2009) •
Buck Owens & Ringo Starr – Act Naturally •