Published:
2023-03-27
Updated:
2023-03-27

Learning Ukulele with Curt

All Of Me

Harmonic Analysis (RMA) Worksheet for the song: "All Of Me".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-20

Main Category: Harmonic-Analysis Main Instrument: Any

Subjects: Chords

2023-03-27

All Of Me

Harmonic Analysis (RMA) Worksheet for the song: "All Of Me".

All Of Me

published 1931 by Irving Berlin, Inc.

All Of Me is a popular song and jazz standard written by Gerald Marks and Seymour Simons in 1931.

Gerald Marks and Seymour Simons wrote the words and music of "All of Me" in 1931. It has an ABAC structure, and is written in the key of B-flat major. There is a 20-bar introductory verse, but this is routinely omitted.

"The melody [...] combines the contradictory possibilities of the song. The downward thrusts of the opening phrases hint at emotional despair while the closing line, with its repeated high notes, seems almost jubilant." It is usually performed at a medium tempo. The harmony is relatively straightforward, and has served as the basis for Lennie Tristano's "Line Up", Warne Marsh's "Background Music", and Bill Dobbins's. wikiwand

All Of Me is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

F A7 D7 Gm7 G7 C7 Bbm6 Am7b5

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

Starting Melody Note and 1st Interval

  • All Of Me is in 4/4, Common Time and the Key of F .
  • Start on M3 ↓ P5.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • is up/ascending; is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

Fmaj7
F
A7
I

III7
(V of VI)

A Mix+4

D7
Gm7

VI7
(V of II)

II

D Mix+4:

A7
Dm

III7
(V of VI)

VI

A Mix+4:

Gm7
C7
G7
C7

II7
(V of V)

V

G Mix+4:

%>
Fmaj7
F
A7
I

II7
(V of V)

**F:**

A Mix+4

D7
Gm7

VI7
(V of II)

II

D Mix+4:

Bbmaj7
Bbm6
Am7
D7
Gm7
Bbm6
F
Am7b5
D7
II
IVm6
I
IIm7b5

VI7
(V of II)

Bb Dorian

Sub: Am7 D7 is a II V of II (Gm7)

Gm7
C7
F6
(D7b9/F#
Gm7
C7)*
G7
C7
F
Bbm6
F

II7
(V of V)

V
I
IVm6
I

Gm7 C7 is a II V of F

* This turnback/turaround would more often than not be written as F6 F#dim7 | Gm7 C7 a I VI7 | II V . With the F#dim7 a Disguised Secondary Dominant

Ralph Patt Vanilla Book

Checkout the Ralph Patt Vanilla Book for the Vanilla changes for All Of Me • The Vanilla Book uncovers the basic (“Vanilla”) chord changes to over 400 of the most commonly played jazz standards to help the jazz player learn the basic changes and allow the player to add embellishments and substitutions on a solid framework.

Embellishments to basic chords such as added 6ths, 9ths, 13ths, flat 5ths etc. are usually determined by the melody notes and the style of music being played and finally your ear.

    Key of C     4/4

    [    C         |   C           |    E7           |   E7         |

    |    A7        |   A7          |    A7    Dm     |   Dm         |

    |    E7        |   E7          |    Am           |   Am         |

    |    D7        |   D7          |    G7           |   G7         |

    ||   C         |   C           |    E7           |   E7         |

    |    A7        |   A7          |    A7    Dm     |   Dm         |

    |    F         |   Fm          |    C    Em7b5   |   A7         |

    |    Dm7b5     |   G7          |    C            |   C          |
  

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • All Of Me is in 4/4, Common Time and the Key of F .

Harmonic Principles Used:

These are the harmonic principles used in All Of Me.

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Imagine NNS Chart
1
1
27
27
67
67
2
2
27
27
6
6
27
27
5
5
1
1
37
37
67
67
2
2
2
4-6
1 2-7b5
67
2
5
1 4-6
67

The Nashville Number System (NNS) default is a 4 measure/bar per line.

NOTE: This will give you an idea of just what the Nashville Number System is–basically a Harmonic Analysis (HA/RMA) using Arabic numbers vs. traditional Roman Numerals with a specific goal of creating a shorthand roadmap of a song that can be performed in ANY key. The main reason it was created in the first place in Nashville studios was to save time and money and not have to rewrite a chart for a singer in a different key than the original chart.

Here is a good overview of the The Nashville Number System Demystified by Dave Martin (July 8, 2022) . Bottom line is you need to know your music theory and how chords work.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes

Performance Notes

Checkout the All of Me — Premium Play-along Track in the Key of C for a very cool ending.

Links & Resources