Published:
2023-03-14
Updated:
2023-03-14
Learning Ukulele with Curt
Walk Right In
Harmonic Analysis (RMA) Worksheet for the song: "Walk Right In".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-255a
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-03-14
Harmonic Analysis (RMA) Worksheet for the song: "Walk Right In".
Walk Right In
Released: December 1962
Walk Right In is a country blues song written by musician Gus Cannon and originally recorded by Cannon's Jug Stompers in 1929. Victor Records released on a 78 rpm record and in 1959, it was included on the influential compilation album The Country Blues. A revised version of the song by the Rooftop Singers, with the writing credits allocated to group members Erik Darling and Bill Svanoe, became an international hit in 1963.
In 1962, the American folk trio the Rooftop Singers recorded a version of the song. Group member Erik Darling recruited two friends to join him in this effort after hearing the original Cannon recording. Darling wanted the track to have a distinctive sound, so he and group member Bill Svanoe both played twelve string guitars, although they had some difficulty in acquiring the instruments.
Darling is quoted as saying that prior to the making of this record, "you couldn't buy a 12-string guitar ... I ordered one from the Gibson Company, but in order to record [the song] with two 12-strings, we had to wait for the company to build a second one for Bill!" (a left-handed model). The success of the song was a boon to Cannon, who was in his late 70s and had been forced to pawn his banjo the previous winter to pay his heating bill; he received royalties as a songwriter and saw renewed interest in his music, which led to a recording contract of his own.
Walk Right In became one of Burl Ives' signature songs, included on his 1944 album The Wayfaring Stranger. Ives used it as the title of his early 1940s CBS radio show and his 1948 autobiography. wikiwand
Walk Right In is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
- Walk Right In is in the Key of C .
- Start on Root ↓ P4.
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
E Mix+4
A Mix+4
C Mix+4
* The C7 , a IV7 is a NOT a Secondary Dominant as it does not resolve to a Full Diatonic chord of the G Major Scale: G Am Bm C D,D7 Em F#°
1.
G:
E Mix+4
A Mix+4
The above line is a repeat of the first A section (same analysis).
2.
E Mix+4
A Mix+4
Walk Right In has a single tag ending built into the song. Checkout the Classic Endings for `Ukulele this and other classic song endings.
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Reference Key
This is the key of the source leadsheet.
- Walk Right In is in the Key of C .
Harmonic Principles Used:
These are the harmonic principles used in Walk Right In.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
