Published:
2024-01-09
Updated:
2024-01-09

Learning Ukulele with Curt

Getting To Know You

Harmonic Analysis (RMA) Worksheet for the song: "Getting To Know You".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-88

Main Category: Harmonic-Analysis Main Instrument: Ukulele

Subjects: Chords

2024-01-09

Getting To Know You

Harmonic Analysis (RMA) Worksheet for the song: "Getting To Know You".

Getting To Know You

Published 1951

Getting To Know You is a show tune from the 1951 Rodgers and Hammerstein musical The King and I . It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam.

This song is one of the cases during the Rodgers and Hammerstein partnership when Rodgers re-used a melody he had written for an earlier show and then discarded. In this case the melody was a tune he wrote for South Pacific, called "Suddenly Hungry and Sad", which he originally intended for the character of Nellie to sing but replaced it with the song "(I'm in Love with) a Wonderful Guy". Mary Martin, the star of South Pacific, who had proposed that Rodgers should cast Yul Brynner as the King, reminded Rodgers of this tune, and so Hammerstein wrote new lyrics to it. wikiwand

Getting To Know You is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

G Gmaj7 G6 Am D7 C6 Em7 A7 G7 C

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

Starting Melody Note and 1st Interval

  • Getting To Know You is in 4/4, Cut Time and the Key of G . The Richard Rodgers original is in the Key of C , Tempo: 127 bpm.
  • Start on M3 ↑ m2.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • is up/ascending; is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

G
Gmaj7
G6
Gmaj7
Am
D7
Am
D7
I
II
V
II
V

G: G Ionian

To Coda

Am
D7
Am
D7
G (G7 last time)
II
V
II
II
I (I7 last time)
G
Gmaj7
G6
Gmaj7
Cmaj7
C6
I
IV
Unresolved: II V

D.S. al Coda

Em7
A7
Am
D7
II
V
II
V

D: D Ionian

Coda

Cmaj7
C6
Am
D7
Gmaj7
G7
C
IV
II
V
I

I7
(V of IV)

IV

G Mix

Gmaj7
Am
D7
G
I
II
V
I
Unresolved: II V
Em7
A7
Am
D7
G
G
II
V
II
V
I

D: D Ionian

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • Getting To Know You is in 4/4, Cut Time and the Key of G . The Richard Rodgers original is in the Key of C , Tempo: 127 bpm.

Harmonic Principles Used:

These are the harmonic principles used in Getting To Know You.

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes