Published:
2024-01-09
Updated:
2024-01-09

Learning Ukulele with Curt

Give My Regards To Broadway

Harmonic Analysis (RMA) Worksheet for the song: "Give My Regards To Broadway".

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-89

Main Category: Harmonic-Analysis Main Instrument: Ukulele

Subjects: Chords

2024-01-09

Give My Regards To Broadway

Harmonic Analysis (RMA) Worksheet for the song: "Give My Regards To Broadway".

Give My Regards To Broadway

Released:

Give My Regards To Broadway is a song written by George M. Cohan for his musical play Little Johnny Jones which debuted in 1904 in New York.

The song has been recorded many times. It was featured prominently in a solo song-and-dance sequence done by James Cagney in his Oscar-winning performance in the 1942 film about Cohan's life, Yankee Doodle Dandy. It has also been performed by, Jimmy Roselli, Judy Garland, and Patti LuPone.

Another popular version of the song was recorded by Al Jolson for the film Jolson Sings Again (1949). The sequel for the previous film The Jolson Story (1946), both starring Larry Parks as Jolson, and William Demarest as Steve Martin. wikiwand

Give My Regards To Broadway is in the The Daily Ukulele 365 Songs for Better Living book.

Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.

Ukulele Chords

G Am D7 D A7 G7 E7

These and many other chords are covered in the Learn A Chord A Day series of lessons.

C Tuning Chords

In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.

Starting Melody Note and 1st Interval

  • Give My Regards To Broadway is in 4/4, Common Time and the Key of G .
  • Start on Root ↓ ↑ m3.

Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • is up/ascending; is down/descending;

Harmonic Analysis (HA) Worksheet

Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet

Gmaj7
Am7
G
G
Am
D7
Am
I
II
V
II

G: G Ionian

D9, D13, … – There is an adgade among seasoned Jazz musicians to never play a straight 7th chord – use an extension 9, 11, 13 and/or alteration(s) ♭9, ♯9, ♯11, ♭5, ♯5, ♯11, ♭13 . Jazz it up.

Gmaj7
Gmaj7
D7
G
D7
G
G
D
V
I
V
I
V
D
A7
A7
D7
D7
V
II7
V

A Mix

G
G
Am
D7
Am
I
II
V
II
D7
G
G7
E7
E7
Am
E7
V
I
I7

VI7
(V of II)

II

VI7
(V of II)

Emix

Emix

G6
Am
G
A7
D7
G*
G
II
V

II7
(V of V)

V
I

A Mix

* When the melody is a root of the tonic I chord, a major sixth G6 or G6/9 is the correct substitute as to not clash with the melody. This is typical of the final not and chord of a song in a major key.

The Harmonic Analysis (HA)

A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.

NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet. Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.

Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …

The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book. You should start to recognize that 1st endings typically always return to a previous verse or an section. With a 2nd ending, a transition to a different part of the song, a or chorus. Harmonic Principles are used for these repeats and transitions.

If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.

Reference Key

This is the key of the source leadsheet.

  • Give My Regards To Broadway is in 4/4, Common Time and the Key of G .

Harmonic Principles Used:

These are the harmonic principles used in Give My Regards To Broadway.

Nashville Number System (NNS)

Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.

At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.

Check the definitive book Nashville Number System

Scale Selection

Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.

Scale Abbreviation Legend

Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor

Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues

Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian

Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6

Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.

RMA book cover QS1UKES book cover

Performance Notes