Published:
2023-12-05
Updated:
2023-12-05
Learning Ukulele with Curt
Blue Hawaii
Harmonic Analysis (RMA) Worksheet for the song: "Blue Hawaii".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-37
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-12-05
Harmonic Analysis (RMA) Worksheet for the song: "Blue Hawaii".
Blue Hawaii
Released: August 13, 1963
Blue Hawaii is a popular song written by Leo Robin and Ralph Rainger for the 1937 Paramount Pictures film Waikiki Wedding, starring Bing Crosby and Shirley Ross. Crosby recorded a version with backing by Lani McIntyre and His Hawaiians, which was released in 1937[2] as the B-side of "Sweet Leilani." This reached the No. 5 spot in the charts of the day during a 13-week-stay.
The song subsequently received numerous cover versions, most successfully as the title track of the 1961 Elvis Presley film, the soundtrack of which stayed at #1 on the album chart for twenty consecutive weeks. wikiwand
Blue Hawaii is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
- Blue Hawaii is in 4/4, Common Time and the Key of F . The original is in the Key of C#/Db , Tempo: 82 bpm
- Start on P5 ↓ m2.
C Tuning, Low or High G
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
cycle cont'd
II7
(V of V)
II7
(V of V)
A Mix+4
A Mix+4
Chained Secondary Cycle: P4
VI7
(V of II)
E Mix+4
cycle cont'd
VI7
(V of II)
I7
(V of IV)
A Mix+4
G Mix
II7
(V of V)
A Mix+4
VI7
(V of II)
E Mix+4
VI7
(V of II)
A Mix+4
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Reference Key
This is the key of the source leadsheet.
- Blue Hawaii is in 4/4, Common Time and the Key of F . The original is in the Key of C#/Db , Tempo: 82 bpm
Harmonic Principles Used:
These are the harmonic principles used in Blue Hawaii.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
