Published:
2023-11-17
Updated:
2023-11-17
Learning Ukulele with Curt
Wake Up Little Susie
Harmonic Analysis (RMA) Worksheet for the song: "Wake Up Little Susie".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-253
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-11-17
Harmonic Analysis (RMA) Worksheet for the song: "Wake Up Little Susie".
Wake Up Little Susie
Released: September 2, 1957
Wake Up Little Susie is a popular song written by Felice and Boudleaux Bryant and published in 1957.
The song is best known in a recording by The Everly Brothers , issued by Cadence Records as catalog number 1337. The Everly Brothers record reached No. 1 on the Billboard Pop chart and the Cash Box Best Selling Records chart, despite having been banned from Boston radio stations for lyrics that, at the time, were considered suggestive, according to a 1986 interview with Don Everly. "Wake Up Little Susie" also spent seven weeks atop the Billboard country chart and got to No. 2 on the UK Singles Chart. The song was ranked at No. 318 on the Rolling Stone magazine's list of "The 500 Greatest Songs of All Time". wikiwand
The song is written from the point of view of a high school boy to his girlfriend, Susie. In the song, the two go out on a date to a cinema (perhaps a drive-in), only to fall asleep during the movie. They do not wake up until 4 o'clock in the morning, well after her 10 o'clock curfew. They then contemplate the reactions of her parents and their friends. The boy fears that having stayed out so late, they've both now lost their good reputations. wikiwand
Wake Up Little Susie is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
I7
(V of IV)
C Mix
C Mix
I7
(V of IV)
C Mix
C Mix
C Mix
II7
(V of V)
II7
(V of V)
D Mix
D Mix
II7
(V of V)
D Mix
Fine
I7
(V of IV)
C Mix
D.C. al Fine
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
Intro
Two Measure/bar Intro then in the Chorus.
Rhythmic Strumming Pattern for Intro and Verses. Sounds better on a Low G
, C Tuning as it is closer to the guitar's liner tuning of t eh recording. Will work on High as well.