Published:
2023-12-18
Updated:
2023-12-18
Learning Ukulele with Curt
The Caissons Go Rolling Along
Harmonic Analysis (RMA) Worksheet for the song: "The Caissons Go Rolling Along".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-45
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-12-18
Harmonic Analysis (RMA) Worksheet for the song: "The Caissons Go Rolling Along".
The Caissons Go Rolling Along
Released: John Philip Sousa, 1917
The Caissons Go Rolling Along – "The Army Goes Rolling Along" is the official song of the United States Army and is typically called "The Army Song". It is adapted from an earlier work titled the "U.S. Field Artillery March".
The original version of this song, written in 1908 by Edmund Gruber, was titled "The Caissons Go Rolling Along." Those lyrics differ from the current official version. Gruber's version was transformed into a march by John Philip Sousa in 1917 and renamed the "U.S. Field Artillery March." wikiwand
The United States Navy, Marine Corps, Air Force, and Coast Guard had adopted official songs, and the Army was eager to find one of its own. They conducted a contest in 1948 to find an official song, but no entry received much popular support. In 1952, Secretary of the Army Frank Pace asked the music industry to submit songs; he received more than 800 entries. "The Army's Always There" by Sam H. Stept won, and an Army band performed it at President Dwight D. Eisenhower's inaugural parade on January 20, 1953. wikiwand
The Caissons Go Rolling Along is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
D Mix
E Mix-2-6
F , technically NOT the chord of resolution for the Secondary Dominant V of VI . However F is functioning the same as the Am would. (F is F A C and Am is A C E) 2/3 rds is close enough ;-).
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
