Published:
2023-12-28
Updated:
2023-02-28
Learning Ukulele with Curt
Happy Trails
Harmonic Analysis (RMA) Worksheet for the song: "Happy Trails".
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULHA-YB-99
Main Category: Harmonic-Analysis Main Instrument: Any
Subjects: Chords
2023-02-28
Harmonic Analysis (RMA) Worksheet for the song: "Happy Trails".
Happy Trails
Released: 1932
Happy Trails 1952 single by Roy Rogers and Dale Evans. Happy Trails
is a song by Roy Rogers and his wife Dale Evans, known as the theme song for both The Roy Rogers Show on radio and The Roy Rogers Show on television, in which they starred. It was written by Evans and always sung by the duo over the end credits of those programs. wikiwand
Happy Trails
was released in 1952 as a 78 RPM and 45 RPM by Rogers and Evans with the Whippoorwills and Orchestra, on RCA Victor Records. It was re-issued in 1957 as a 45 RPM record on RCA Victor/Bluebird. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. wikiwand
Happy Trails is in the The Daily Ukulele — 365 Songs for Better Living book.
Strum a different song every day with easy arrangements of 365 of your favorite songs in one big songbook! The Daily Ukulele features ukulele arrangements with melody, lyrics and uke chord grids and are in ukulele-friendly keys that are particularly suited for groups of one to one hundred to play and sing.
Ukulele Chords
These and many other chords are covered in the Learn A Chord A Day series of lessons.
C Tuning Chords
In the Daily Ukulele series of book the chords are actually listing in their order of appearance. And, are always the basic open position chords when possible.
Starting Melody Note and 1st Interval
Intervals Legend: Root=note that begins a scale of the starting key; C is C, D is D, Am is A, Em is E, etc… m=minor; M=Major; P=Perfect; D=Diminished; A=Augmented. • ↑ is up/ascending; ↓ is down/descending;
Harmonic Analysis (HA) Worksheet
Visit the Harmonic Analysis for Scale and Chord Selection series of lessons for information on creating your own Harmonic Analysis Worksheet
A re-harmonization, in Red can be a simple, sticking pretty close to the original composer's intentions or complex and a whole new set of chord changes.
D#dim
* see performance notes below
I7
(V of IV)
VI7
(V of II)
II7
(V of V)
D Mix
B Mix
E Mix
As Happy Trails is a simple folk / country song simple Mixolydian scales for the 7th chord will do vs. alterted mixolydian scale a jazzer
might use.
VI7
(V of II)
II7
(V of V)
B Mix
E Mix
The Harmonic Analysis (HA)
A Harmonic Analysis (RMA/HA) and its worksheet are intended to show the function of the chords, the harmonic principles used, the keys and tonalities the song explores. And, can be used for scale selections and chord and scale substitutions.
NOTE: A Harmonic Analysis Worksheet is NOT intended to be a lead leadsheet.
Minimal roadmap information such as repeats, fine, D.S., D.C., and codas has been used in preparing the worksheets to somewhat mirror the leadsheet in the Daily Ukulele book.
Sections, Verse, Chorus, 1st, 2nd Ending, turnbacks …
The worksheets will show 1st, 2nd Ending, turnbacks, etc. as indicated in the Yellow Book
. You should start to recognize that 1st endings typically always return to a previous verse or an 
section. With a 2nd ending, a transition to a different part of the song, a 
or chorus. Harmonic Principles are used for these repeats and transitions.
If turnback chords are not indicated for these 1st and 2nd endings in the original Yellow Book leadsheet, recommended chord(s) will be indicated in parentheses or as an alternate harmony in Red . Typically the last measures or turnbacks will be a chord that resolves to and harmonically leads you to the next section or turning you back to the same section. Typically a V or direct substitution of that next chord.
Nashville Number System (NNS)
Nashville Numbering System always uses four bars/measures per line, no bar lines, and default is each number of the number of beats per bar/measure based on the time signature. If multiple chords in same bar then they are underlined. It can be as simple as converting the Roman Numerals above to Arabic numbers.
At its simplest you simply replace the roman numbers with Arabic numbers. e.g., I becomes 1 , II becomes 2 , etc. The only exception is the bVII7 chord becomes 7 as this borrowed chord from the Mixolydian tonality is so common and the VII (half-diminished seventh) in a major chord is so rare (actually never). And, you could go as far as saying all the modes are numbered: I II III IV V VI VII — just as in the major scale. So calling it a 7 is not that far out.
Check the definitive book Nashville Number System
Scale Selection
Once a Harmonic Analysis has been completed, scale selections can be made. These scale selections can be either vertical or horizontal choices. And, really, only needed if you are going to take a solo or embellish the melody with added notes.
Scale Abbreviation Legend
Traditional Scales: Maj: Major (Ionian), Nat Min: Natural Minor, Dim: Diminished, WT: Whole Tone, Har Min: Harmonic Minor
Contemporary Scales: Minor Pent: Minor Pentatonic, Pent: Major Pentatonic, Blues
Scale/Mode Names: Ion: Ionian (Major), Dor: Dorian (Minor), Phrygian: Phrygian, Lyd: Lydian, Mix: Mixolydian (Dominant), Aeol: Aeolian (Natural Minor), Loc: Locrian
Altered Scales: Mix+4: Mixolydian Plus 4 / Lydian Dominant, Mix-2-6: Mixolydian flat 2, flat 6
Checkout the Lesson Series: Harmonic Analysis for Scale and Chord Selection or download the Harmonic Analysis for Scale and Chord Selection book. And the QuickStart Series of Scale and Arpeggio books.
Performance Notes
Addressing the D#dim and A+
- D#Dim (D# Fx(G) A C) • I would most like, as it is only two beats address the chord tones and lead to the A7.
- A+ • The only difference betweer A7 and A+ is the fifth of the chord: E in the A7 and E#(F) in the A+.