Published:
2013-01-01
Updated:
2013-01-01
Learning Ukulele with Curt
Chord a Day, March 29th - F7#9b5
Learn a new Ukulele chord every day of the year. The chord for March 29th is F7#9b5.
Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULCAD0329
Main Category: Chords Main Instrument: Ukulele
Subjects: Chords
2013-01-01
Learn a new Ukulele chord every day of the year. The chord for March 29th is F7#9b5.
Core 4-part
, a.k.a. Jazz
Chords
Today's chord, F7#9b5 is one of, or based on one of, the
Big Six Core Jazz
chords
for creating your 4-part, contemporary chord foundation and
Life Beyond the Third Fret.
Learn a New Chord Each Day!!!
This Learn a New Chord Each Day!!! series of lessons was created and published in 2013 (13 yrs ago) and has been added to an expanded ever since. 2020 brought videos to the show. 2023 introduced more Harmonic information
For a further exploration of this chord and its movable forms visit the
Movable Ukulele Chords Lesson Series
page.
F7#9b5 is a Core Chord
A core chord is a basic chord that other chords can be derived from – creating new chords from your known chords. Your ever expanding set of core chords creates a solid foundation for playing music on ukulele or any instrument capable of playing chords. There are just far too many chord shapes to memorize all the possibilities. Some chords you can simply create on the fly as needed based on known information and how chords work.
Chord Type(s): Major Altered 5-part
Chord Categories: Movable Form
Open Position chords typically do not show the location of the root or letter name of the chord, as these chords are the first chords a ukulele player learns. They are almost entirely learned by shape and sound–hopefully, the chord names. Later on, one develops the ability to determine the location of the chord root(s) or letter name within the chord.
Standard Music Notation and TAB
Standard music notation and TAB for C Tuning, Low and High G
variations
The same numbering notation used in TAB can be used to describe the open strings and frets to be played when using text-only notation or verbal communications. Using an open position C as an example, we can describe it as 0003, indicating open strings four, three, and two with fret (3) being fingered on string one. An open position, D7 , indicated as 2020
As you can see that are numerous ways to describe a chord, either verbally Put your finger here…
, in Standard Music Notation
, TAB
, and in text, graphically using a Chord Grid
, etc.
Derived From
Today's chord, F7#9b5 is a derived chord from F9 . Take any chord progression with F9 in it and explore substituting F7#9b5 for F9.
Chord Spelling
Chord Spelling is simply knowing what the notes, the chord tones of a chord are.
The notes of all chords can be determined from its corresponding major scale based on the root of the chord and numeric formula.
The notes for F7#9b5 are:
F A Cb Eb G#
The chord tones are the 1 3 b5 b7 #9 scale degrees of the parent F Major Scale .
Additional Information
The implied root is on string two.Recommended Fingering(s)
Although additional fingerings are possible for many chords, fingering for any given chord depends on the science of how our fingers work and on the harmonic context the chord is being used in—what was the previous chord, and what's the next chord? The goal is to play all the notes right behind the frets when possible. Remember, longer fingers can reach the lower strings better, and finger two can stack on finger three, and finger three can stack on finger four.
Although you can play any chord with any finger as long as it's yours, the recommended fingering for F7#9b5 is:
Recommended Fingering
1-2-3-1
Alternate Fingering(s)
Here are a few alternate fingerings for today’s F7#9b5 chord depending on the context the chord is being used.
Alternate fingering(s) for F7#9b5:
- - 1-3-4-1
Fingering Notation
Fingering notation for a chord using text only, without using a chord grid, is typically done using the finger numbers from left to right, string four to string one (nose to toes). Here is the text notation for January 1st C chord.
A Typical text representation of a chord fingering without using a chord grid.
Note: A Zero (0) fingering notation represents an open string that doesn't require using a finger.
Fingering Chords
Additional alternate fingerings might be possible for selected chords. If there isn't an overwhelming musical reason for one fingering over another, let efficiency be the determining factor. Something as simple as longer fingers that can reach the lower strings four and three will go a long way to being efficient when switching chords.
Factors such as playing notes right behind the fret take less effort than in the middle of the fret. Less effort leads to overall efficiency; lower maintenance for maintaining your technique and efficiency leads to speed. This can help in determining what finger to use. Finger three can overlap finger four, and finger two can overlap finger three a little, allowing them to get closer to the fret.
Remember, the thumb's primary role is to support the fingers–not play notes. Think of the thumb as a Stagehand. He is unseen, doesn't get any lines, but is a critical member of the team. There are musical situations where you might use your thumb but they are mainly rhythmic / strumming reasons.
Chord Construction, Notes and Intervals
All chords can be constructed based on their intervals relative to the major scale of the root or letter name of the chord. The individual names of the notes of the chord can also be determined from the same scale.
The chord tones for F7#9b5 are: F A Cb Eb G#
F7#9b5 is the 1 3 b5 b7 #9 of the F Major Scale based on the root (F) of the chord.
7th (pronounced Seventh)
A partial seventh chord can be created by lowering the Root of a major triad two frets.
A seventh chord as a 4-part chord ( 1 3 5 b7 ) and one of the Big Six core chords used to derive other contemporary and jazz chords.
A Seventh chord along with your basic major and minor chords are the most common chord you will encounter.
NOTE: A Seventh chord is very often referred to as a Dominant Seventh . This is not always accurate as Dominant — is a chord function and not actually part of a chord name, which is a capital letter and chord type information – not it's harmonic function. We don't call a seventh functioning as a I (one) chord in a Blues a Tonic Seventh or the IV (four) chord a Sub-Dominant Seventh chord, etc...
Altered Chords
Alterations are applied to the 9th, 5th, 11th and thirteenth of a chord. The common alterations are the b5, #5, b9, #9, #11, b13.
Alternate notation for a sharp (♯) is a plus sign + and for a flat (♭) is a minus sign -
Altered Ninths
Altered ninths typically only apply to seventh chords.
An altered nine chord is created by raising the root of a seventh chord one fret for a 7b9 or three frets for a 7#9. Alternate notations include 7-9 and 7+9
Next Steps
After memorizing today's F7#9b5 chord and when you are able to switch in time with other chords, the next step is adding various Strums , Fingerpicking patterns, and exploring the Movable Chord versions of today's chord, to your ukulele skills.