Published:
2013-01-01
Updated:
2013-01-01

Learning Ukulele with Curt

Chord a Day, January 13th - Gsus4

Learn a new Ukulele chord every day of the year. The chord for January 13th is Gsus4

Author(s): Curt Sheller Publisher: Curt Sheller Publications Code: ULCAD0113

Main Category: Chords Main Instrument: Ukulele

Subjects: Chords

2013-01-01

Chord a Day, January 13th - Gsus4

Learn a new Ukulele chord every day of the year. The chord for January 13th is Gsus4

ULCAD0113

Root Position Gsus4

A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or, less commonly, a major second.

Harmonic Function for: Gsus4

The Harmonic Function of a chord is simply how a chord is being used in a harmonic context with other chords in a song or chord progression.

Here are the most common harmonic functions for today's chord.

A sus / suspended chord can substitute for any chord where the root, fourth, and fifth of the chord are in the key. An example would be G or G7 functioning as a I chord in the Key of C , a V chord in the Key of C or a IV chord in the Key of D .

As long as the harmonic function does not change you’re good to go.

Harmonic Analysis, Scales, and Modes

All harmonic and scale analysis utilizes Roman Numerals related to the major of the current tonality (key) ( I II III IV V VI VII , the 1 2 3 4 5 6 7 of the major scale).

Technically, the modes are numbered the same ( I II III IV V VI VII , the 1 2 3 4 5 6 7 of the major scale) but for comparison they can be numbered relative to the major scale of the same root. Example: C Mixolydian mode ( I II III IV V bVII VII , the 1 2 3 4 5 6 b7 ).

Open Position Chords

Today's chord, Gsus4 is an Open Position chord.

Open Position Chords are any chord in the first four frets that include at least one open string.

Triads

Today's chord, Gsus4 is a triad.

Triads • A triad is a three-note chord, traditionally major, minor, diminished, or augmented. With contemporary triads including sus and add chords.

A real key to learning these triads is really and finally Learning the Ukulele Fingerboard . Memorizing the root of each triad for transposing to other keys. And, then the Chord Spelling and its Numeric Chord Formula (A Guide to Advanced Chord Series — Chord Building Chart) .

Todays' open position Gsus4, a contemporary triad, with no third contains a root, fourth – the sus , and fifth of its corresponding Major sale.

Learn a New Chord Each Day!!!

This Learn a New Chord Each Day!!! series of lessons was created and published in 2013 (13 yrs ago) and has been added to an expanded ever since. 2020 brought videos to the show. 2023 introduced more Harmonic information

For a further exploration of this chord and its movable forms visit the
Movable Ukulele Chords Lesson Series page.

Chord Type(s): Major Sus

Chord Categories: Open Position Triad

ULCAD0113 Chord_grid_legand.png

Open Position chords typically do not show the location of the root or letter name of the chord, as these chords are the first chords a ukulele player learns. They are almost entirely learned by shape and sound–hopefully, the chord names. Later on, one develops the ability to determine the location of the chord root(s) or letter name within the chord.

Standard Music Notation and TAB

ULCAD0113

Standard music notation and TAB for C Tuning, Low and High G variations

The same numbering notation used in TAB can be used to describe the open strings and frets to be played when using text-only notation or verbal communications. Using an open position C as an example, we can describe it as 0003, indicating open strings four, three, and two with fret (3) being fingered on string one. An open position, D7 , indicated as 2020

As you can see that are numerous ways to describe a chord, either verbally Put your finger here…, in Standard Music Notation , TAB , and in text, graphically using a Chord Grid , etc.

Derived From

Today's chord, Gsus4 is a derived chord from G . Take any chord progression with G in it and explore substituting Gsus4 for G.

View the G Learn A Chord A Day page…

Chord Spelling

Chord Spelling is simply knowing what the notes, the chord tones of a chord are.

The notes of all chords can be determined from its corresponding major scale based on the root of the chord and numeric formula.

The notes for Gsus4 are:

G C D

The chord tones are the 1 4 5 scale degrees of the parent G Major Scale .

Recommended Fingering(s)

LH_fingersAlthough additional fingerings are possible for many chords, fingering for any given chord depends on the science of how our fingers work and on the harmonic context the chord is being used in—what was the previous chord, and what's the next chord? The goal is to play all the notes right behind the frets when possible. Remember, longer fingers can reach the lower strings better, and finger two can stack on finger three, and finger three can stack on finger four.

Although you can play any chord with any finger as long as it's yours, the recommended fingering for Gsus4 is:

Recommended Fingering

0 2 3 4

Alternate Fingering(s)

Here are a few alternate fingerings for today’s Gsus4 chord depending on the context the chord is being used.

Alternate fingering(s) for Gsus4:

  • - 0 1 3 4 - This fingering is good when the previous chord is G
  • - 0 2 3 4
  • - 0 1 2 2 - barre the second finger across both strings one and two
  • - 0 1 3 3 - barre the third finger across both strings one and two
  • - 0 1 2 3 - Not a great finger based on the combination of these fingers taking up more space than other combinations

Fingering Notation

Fingering notation for a chord using text only, without using a chord grid, is typically done using the finger numbers from left to right, string four to string one (nose to toes). Here is the text notation for January 1st C chord.

A Typical text representation of a chord fingering without using a chord grid.

Note: A Zero (0) fingering notation represents an open string that doesn't require using a finger.

Fingering Chords

Additional alternate fingerings might be possible for selected chords. If there isn't an overwhelming musical reason for one fingering over another, let efficiency be the determining factor. Something as simple as longer fingers that can reach the lower strings four and three will go a long way to being efficient when switching chords.

Factors such as playing notes right behind the fret take less effort than in the middle of the fret. Less effort leads to overall efficiency; lower maintenance for maintaining your technique and efficiency leads to speed. This can help in determining what finger to use. Finger three can overlap finger four, and finger two can overlap finger three a little, allowing them to get closer to the fret.

Remember, the thumb's primary role is to support the fingers–not play notes. Think of the thumb as a Stagehand. He is unseen, doesn't get any lines, but is a critical member of the team. There are musical situations where you might use your thumb but they are mainly rhythmic / strumming reasons.

Chord Construction, Notes and Intervals

All chords can be constructed based on their intervals relative to the major scale of the root or letter name of the chord. The individual names of the notes of the chord can also be determined from the same scale.

The chord tones for Gsus4 are: G C D

Gsus4 is the 1 4 5 of the G Major Scale based on the root (G) of the chord.

sus or suspended Chords

A sus chord implies the suspension of the third of a major, minor or seventh chord. The most common, historical, and traditional use of this suspension involves raising the third of a major or seventh chord to the fourth for a sus4, or 7sus4. In some contemporary music, the suspension can also be accomplished by lowering the third of a major or minor chord to a second for a sus2 chord.

A sus or suspension displaces the third of a chord. An Am sus4 or Am sus2 would be the same as the sus4 and sus2 chords in lesson one's A major chord.

Because a suspended chord lacks a third, these chords feel unresolved and often “resolve” back to a standard major or minor chord.

The term is borrowed from the contrapuntal technique of suspension, where a note from a previous chord is carried over to the next chord—suspended into the next harmony, and then resolved down to the third or tonic, suspending a note from the previous chord. However, in modern usage, the term concerns only the notes played at a given time; in a suspended chord, the added tone does not necessarily resolve and is not necessarily prepared (i.e., held over) from the prior chord. A common suspension is a fourth above the root resolving to the third of the chord. Sevenths, ninths, and seconds are also common suspensions.

Technically a sus2 is not really a chord as in traditional harmony a sus or suspension only referred to the third of the chords. So, really a sus2 is most likely a power 5 without a third and with an added 2. And, another chord that, at its foundation is not a chord but a DYAD.

As tonality expanded, classical composers began embracing less functional harmony structured in fourths and fifths. In popular music, it also became commonplace to leave suspensions in place without resolving them.

In Jazz

A common suspended chord in jazz combines the supertonic and dominant chords into one sonority: V9sus4 . Basically the II V of a II V I is combined. An example in C: the Dm7 G7 is combined as Dm7/G .

Next Steps

After memorizing today's Gsus4 chord and when you are able to switch in time with other chords, the next step is adding various Strums , Fingerpicking patterns, and exploring the Movable Chord versions of today's chord, to your ukulele skills.